Crime and Punishment

In a stifling summer in St. Petersburg, Rodion Raskolnikov—an impoverished ex-law student—tests a ruthless idea: that “extraordinary” people may step beyond conventional morality for a supposed greater good. He murders a pawnbroker he deems parasitic, only to discover that the act does not free him but shatters him. The city’s heat, noise, and poverty seem to press on his mind as guilt, fever, and paranoia take hold.

As Raskolnikov spirals, he’s pulled into a tense cat-and-mouse with the canny investigator Porfiry Petrovich, comforted (and challenged) by his loyal friend Razumihin, and confronted by the steadfast compassion of Sofya (Sonia) Marmeladova, a young woman forced into prostitution to support her family. Through Sonia’s fierce mercy and his own mother and sister’s love, Raskolnikov faces the truth he has tried to rationalize away.

Dostoevsky turns the crime story inward, making the “punishment” largely spiritual: self-deception, isolation, and the ache of conscience. Yet the novel also insists on the possibility of moral renewal. In the end, love, confession, and suffering become the path not to abstract “greatness,” but to an honest, human life.

Quotes from Crime and Punishment